Long Distance Poison delivers its querulous pulsing sonic emanations like Godlike beings attending to the slow ritual roasting of some titanic sacred calf.
--Julian Cope, Head Heritage and author of Krautrocksampler
With New York's Long Distance Poison, space is unambiguously the place, an endless slow-motion on-rush of IV-drip drones and sprinkler-system synthesizers and rapturous out-of-body experiences.
--Raymond Cummings, The Village Voice
Long Distance Poison present an irresistible concoction of convergent psychedelic and analog electronic energies.
--by Wm. Berger, host of My Castle of Quiet on radio WFMU.
Long Distance Poison is the Brooklyn based experimental electronics project of Nathan Cearley and Erica Bradbury. They explore non-subjective musical processes and practices that minimize intention, self and hylomorphic design. LDP has performed at the Ende Tymes Festival, the Basilica Hudson 24-Hour Drone Festival, The Wassaic Project, the MOMA PS1 NY Art Book Fair, the Voice of the Valley Noise Festival and Pioneer Works. In 2015, they did a residency at Clocktower Galley called Sacred Music After a God, and in 2017 they did a video installation at Printed Matter for their mind control experiment Rheomodes. They have releases on Hausu Mountain, Deep Distance, Oxtail Recordings, Constellation Tatsu, Ecstatic Peace!, Foxy Digitalis, Baked Tapes, VCO Recordings and other strange imprints.
Much of our out of print back catalog has been remastered and is for sale via digital distro here: